When it comes to driving competitive advantage for TV operators, analytics deliver in three key areas of the content cycle.
Read MoreTue, May 23, 2017 | by Einav Levi
When it comes to driving competitive advantage for TV operators, analytics deliver in three key areas of the content cycle.
Read MoreTue, May 16, 2017 | by Patricia Frith
There’s no doubt about it…the changes that are occurring in the television business are happening so fast that you sometimes feel like you need a crash course in Media Acceleration 101. There are so m...
Read MoreWed, May 10, 2017 | by Ludo Rubin
Future generations might well have to Google the phrase ‘water-cooler TV’ when they come across it in old documents about television at the start of the 21st century. The idea that millions and millio...
Read MoreTue, May 2, 2017 | by Andy Stout
There is no doubt that television is an expensive business, and not just making it but distributing it as well. The BBC, for example, spends 6% of its licence fee income — some £210 million every year...
Read MoreWed, Apr 26, 2017 | by Einat Kahana
Every year, Accenture publishes a report titled The Future of Broadcasting which analyses the trends and technologies on the broadcast industry roadmap.
Read MoreFri, Apr 21, 2017 | by Sarit Rosenthal-Aviram
All around the world, Pay-TV operators find themselves being squeezed by the multiple pressures of increasing competition bought about by new entrants into the market, rising consumer expectation, spi...
Read MoreThu, Apr 20, 2017 | by Patricia Frith
Coming out of last week’s Mip TV conference, one thing was very clear: there are a lot of very conflicted, confused, and even a little nervous traditional TV executives out there who trying to navigat...
Read MoreWed, Apr 12, 2017 | by Ludo Rubin
While it is tempting to think that television in the pre-Pay TV era, that was transmitted by large TV masts and received by domestic TV aerials is just a relic of a bygone age, it is still a significa...
Read MoreFri, Apr 7, 2017 | by Andy Stout
One of the factors that is often referred to when accounting for the electronic entertainment industry’s comparatively slow movement towards the cloud is worries about content security. When it comes ...
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